UPDATE: A captivating adaptation of an ancient Maya myth has taken center stage in Mexico City, as the circus performance “Mortal Leap into Xib’alb’a” premiered to enthusiastic audiences. This innovative show, directed by Jorge Díaz, blends circus arts with theater to bring the legendary tale of hero twins Ixbalanqué and Hunahpú to life.
Just announced, the performance reflects a profound cultural revival, drawing from Díaz’s childhood memories of the Popol Vuh, a sacred compendium of Maya myths. “Recalling those stories is important,” said Díaz, emphasizing the need to celebrate rich pre-Hispanic tales that risk being forgotten.
The show, which debuted in 2023, returned to the stage for new performances in late November 2023. The narrative follows the twins on a perilous journey through the Maya underworld, where they confront death and emerge transformed, illustrating the Maya belief that death is not an endpoint but a chance for rebirth.
With a runtime of one hour, “Mortal Leap into Xib’alb’a” showcases a unique combination of acrobatics and ritualistic elements. “We sought to give the piece its own identity through circus,” Díaz explained, striving for an integration of techniques that enhances the storytelling rather than merely showcasing skills.
Founded 20 years ago by Díaz and fellow artist Jessica González, the company Tránsito Cinco initially focused on theater but evolved into a circus arts troupe. Their mission—to connect theater with dance—has led to a diverse repertoire of 16 productions, all crafted around a clear narrative thread.
“Our shows are built around a theme or storyline,” González stated, underscoring their commitment to using circus arts as a platform for storytelling and social commentary.
“This is one of the most influential art forms I’ve ever witnessed,” said director Arely Cantellano during a recent showing of her documentary about Tránsito Cinco’s history. “It opens those doors to many different arts and invites us all to take part.”
In addition to directing, Díaz is deeply involved in the rigging aspects of the performance, ensuring the safety of artists like Yareli Reyes, who performs hair suspension as one of the Maya twins. This role resonates personally with Díaz, who once envisioned playing it alongside his brother, another actor in the troupe.
“I love that fragment of the Popol Vuh,” Díaz reflected. “It felt important to me to create it onstage together.” Despite stepping back from the performance, he finds new insights into his craft, viewing the work as a ritual filled with energy, music, and light that captivates audiences.
The narrative begins with the twins’ extraordinary conception and their upbringing, leading to their eventual sacrifice and transformation into celestial bodies. “Under the Mayan worldview, death is not an ending, but a chance to be reborn,” Díaz explained. The performance captures this essence and conveys the ancient Maya perspective on death and renewal.
The emotional impact is palpable, with audience members describing the show as “fantastic” and praising the way it shifts the boundaries of entertainment. As Díaz succinctly put it, “There are many elements from pre-Hispanic Indigenous traditions that can be brought into circus performance, giving them new meaning onstage.”
This urgent revival of a sacred myth through circus arts not only entertains but also educates, fostering a deeper appreciation for the rich cultural heritage of the Maya. As “Mortal Leap into Xib’alb’a” continues to enchant audiences, it stands as a testament to the enduring power of storytelling and the arts.
