Four new films have been released, showcasing a variety of genres that promise to captivate audiences. From romantic comedies to dark mysteries, each provides a unique cinematic experience. The films under review include Eternity, Zootopia 2, Wake Up Dead Man, and The Thing with Feathers.
Romantic Comedy with a Twist: Eternity
Directed by David Freyne, the romantic comedy Eternity stars Miles Teller as Larry, Elizabeth Olsen as Joan, and Callum Turner as Luke. The film runs for 1 hour and 54 minutes and is rated PG-13 for strong language. Set in the afterlife, the story follows Larry, who awaits his wife Joan at a sprawling train station. Their reunion, however, is complicated by the arrival of Joan’s first husband, who died in the Korean War. Faced with a choice between two loves, she must decide whom she wishes to spend eternity with.
The film attempts to blend humor with romance, though its comedic elements sometimes detract from the emotional depth of the story. While some jokes land effectively, others feel forced, particularly from supporting characters like the afterlife coordinator portrayed by Da’Vine Joy Randolph. Despite this, the chemistry between the lead actors keeps the audience engaged, and one might even wish for a more unconventional resolution. Overall, the film offers a fresh take on love and loss, making it enjoyable for contemporary audiences.
Grade: B- (A long but worth the wait.)
Family Adventure in Animation: Zootopia 2
The animated sequel Zootopia 2, directed by Byron Howard and Jared Bush, brings back beloved characters Judy Hopps and Nick Wilde, voiced by Ginnifer Goodwin and Jason Bateman. Running for 1 hour and 48 minutes and rated PG for action violence and rude humor, this film continues the adventures of the rabbit and fox police officers as they uncover a decades-old crime linked to a missing snake.
As they navigate through the vibrant metropolis of Zootopia, the film maintains its charm and humor, successfully engaging both children and adults. The story is filled with unexpected twists and turns that keep viewers guessing, while the animation remains top-notch. The film’s comedic action sequences make it an entertaining family outing, leaving audiences satisfied as they exit the theater.
Grade: B+ (Another good trip to the zoo.)
Thrilling Mystery Unfolds in Wake Up Dead Man
In Wake Up Dead Man, directed by Rian Johnson, Daniel Craig reprises his role as detective Benoit Blanc in this dark comedy crime mystery. Spanning 2 hours and 24 minutes and rated PG-13 for violent content and crude language, the film revolves around a murder that occurs during a Good Friday sermon at a countryside Catholic church.
Blanc’s investigation into the murder of Monsignor Jefferson Wicks, played by Josh Brolin, leads him to the assistant pastor, Father Jud Duplenticy, portrayed by Josh O’Connor. The film cleverly intertwines themes of religion and crime while maintaining a lighthearted tone typical of Johnson’s work. As the plot thickens, audiences are treated to a captivating whodunit experience that pays homage to classic murder mysteries.
Grade: B (A ‘Good’ Friday murder.)
Exploring Grief in The Thing with Feathers
Lastly, The Thing with Feathers, directed by Dylan Southern, features Benedict Cumberbatch in a psychological drama based on Max Porter’s novel. Running for 1 hour and 38 minutes and rated R for strong language and violent content, this film delves into the complexities of grief as a father and his two sons navigate the aftermath of losing their wife and mother.
The film employs a surreal approach, with Cumberbatch’s character grappling with inner demons manifesting as a crow, voiced by David Thewlis. While the performances are commendable, the film struggles to create a tangible connection to the deceased, leaving viewers wanting more substance in the storytelling. The lack of background on the mother adds a layer of detachment, making it difficult for audiences to fully engage with the family’s journey.
Grade: C (The thing needs plucking.)
These four films present a range of themes and styles, catering to diverse audience preferences. Whether exploring the afterlife, unraveling a mystery, or navigating emotional grief, each film offers distinct narratives that contribute to the rich tapestry of contemporary cinema.
