BREAKING: The Chicago Symphony Orchestra (CSO) launched its season with an electrifying performance of Hector Berlioz’s Symphonie fantastique last night, marking a significant moment for music director designate Klaus Mäkelä. The concert, held on July 15, 2025, showcased the budding relationship between Mäkelä and the orchestra, captivating the audience with a dual Berlioz program that also featured “Harold in Italy”.
This performance comes as the CSO embarks on an exciting journey, with Mäkelä set to take full leadership in September 2027. The orchestra, demonstrating a strong commitment to their young conductor, delivered a powerful showcase of talent and artistry that thrilled concertgoers.
Audience reactions were resounding, with sustained cheers erupting after each piece. This engagement reflects the orchestra’s enthusiasm for Mäkelä, who, at just 29 years old, is already making waves in the classical music scene.
Mäkelä’s programming was a bold choice, presenting two lengthy works that each exceed 40 minutes, immersing the audience in a rich tapestry of moods and emotions. The maestro’s dynamic presence was evident as he conducted from memory, fostering a more intimate connection with the musicians and the audience alike.
Renowned violist Antoine Tamestit made a memorable return to the CSO, captivating listeners with his vibrant performance in “Harold in Italy.” Tamestit, a unique talent in the world of violists, skillfully embodied the character of the wandering poet, enhancing the narrative quality of the piece. His encore, an expressive rendition of J.S. Bach’s Cello Suite No. 1, further showcased his exceptional artistry.
The concert also highlighted the CSO’s impressive ensemble, with standout performances from brass players, including new principal trombonist Timothy Higgins, and principal trumpeter Esteban Batallán. Guest artists, such as flutist Herman van Kogelenberg, contributed to a rich musical experience, drawing warm tones from his distinctive grenadilla wood flute.
The evening’s creativity was marked by striking orchestration, particularly in the intimate duet between Tamestit and harpist Emily Levin, which left the audience captivated. Notable visual elements, like the four percussionists on eight timpani during the finale of the Symphonie fantastique, showcased Berlioz’s innovative spirit and left a lasting impression.
As the CSO continues its season, all eyes will be on Mäkelä to see how he evolves the orchestra’s sound and direction. For those who attended, last night’s concert was not just a performance; it was a glimpse into the future of classical music in Chicago, filled with excitement, passion, and a powerful sense of community.
Stay tuned for updates as the CSO embarks on this promising season under Mäkelä’s guidance, with more concerts scheduled that are sure to inspire and enthrall audiences.
